Tim Miller is an internationally acclaimed performance artist. His creative work as a performer and writer explores the artistic, spiritual and political topography of his identity as a gay man. Hailed for his humor and passion, Miller's has tackled this challenge in such pieces as Postwar (1982), Cost of Living (1983), Democracy in America (1984), Buddy Systems (1985), Some Golden States (1987), Stretch Marks (1989), Sex/Love/Stories (1991), My Queer Body (1992), Naked Breath (1994), Fruit Cocktail (1996), Shirts & Skin (1997) Glory Box (1999) and Us (2003).
Miller's performances have been presented all over North America, Australia, and Europe in such prestigious venues as Yale Repertory Theatre, the Institute of Contemporary Art (London), the Walker Art Center (Minneapolis), and the Brooklyn Academy of Music. He is the author of the book Shirts & Skin and his solo theater works have been published in the play collections O Solo Homo and Sharing the Delirium. MillerŐs new book Body Blows, an anthology of six of his performance scripts with an introduction by Tony Kushner, was published by University Of Wisconsin Press in 2002. Since 1990, Miller has taught performance in the theater department at UCLA and was a California Arts Council Artist in Residence 1990-2001. He is a co-founder of the two most influential performance spaces in the United States: Performance Space 122 in New York City and Highways Performance Space in Santa Monica, CA.
Miller has received numerous grants from the National Endowment for the Arts (NEA). In 1990, Miller was awarded an NEA Solo Performer Fellowship, which was overturned under political pressure from the Bush White House because of the gay themes of Miller's work. Miller and three other artists, the so-called "NEA 4", successfully sued the federal government with the help of the ACLU for violation of their First Amendment rights and won a settlement where the government paid them the amount of the defunded grants and all court costs. Though the Supreme Court of the United States decided in 1998 to overturn part of Miller's case and determined that "standards of decency" are constitutional criterion for federal funding of the arts, Miller vows "to continue fighting for freedom of expression for fierce diverse voices."
After a nine-year stint in New York City, in 1987 Miller returned home to Los Angeles, California where he was born and raised. He currently lives there with his partner Alistair in Venice Beach.
Glory Box is a funny, sexy, and politically charged exploration of same-sex marriage and the struggle for immigration rights for lesbian and gay bi-national couples. Glory Box recounts the trials Miller has been forced to undergo in trying to keep his Australian partner in the United States. Says Miller, "I want the piece to conjure for the audience a new glory box, a new kind of hope chest, that can be an alternative site for the placing of memories, hopes, and dreams of gay people's extraordinary potential for love."
Since premiering Glory Box in 1999, Miller has focused his creative and political work on addressing the injustices facing lesbian and gay couples in America.